Difference between revisions 104604661 and 104604662 on dewiki[[Image:Jodhpur tilt shift.jpg|thumb|right|Digitally blurred miniature fake of [[Jodhpur]]]] [[Image:Jodhpur rooftops.jpg|thumb|right|Original photo of Jodhpur]] (contracted; show full) camera are rendered equally sharp. With a [[view camera]], tilt can usually be set with [[View camera#Movements|movements]] built in to the camera; with a small- or medium-format camera, a [[tilt-shift lens|tilt/shift lens]] or adapter is usually required. Sydney photographer and filmmaker Keith Loutit http://keithloutit.com/ attracted an internet and media sensation, following the release of his 'Bathtub' series of short films, that transformed both iconic and familiar Sydney scenes into miniature wonderlands. Known as the pioneer of the tilt-shift / time-lapse technique, Loutit was the first to recognize how time and focus combine to support the powerful illusion of miniaturization in film. In his scaled down and sped up realities, real world subjects become their miniature counterparts. Boats bob like toys in a bathtub, cars race like slot-cars, and crowds march as toy armies. Loutit's aim is create a sense of wonder in our surroundings by "challenging people's perceptions of scale, and helping the viewer to distance themselves from places they know well".⏎ ⏎ === Digital postprocessing === [[Image:Train tilt shift.jpg|thumb|right|A digitally blurred image of a [[Norfolk Southern]] [[freight train]]]] [[Image:Miniature.jpg|thumb|right|Miniature simulation taken at a low angle to the ground]] A miniature can also be simulated digitally, using an image editor to blur the top and bottom of the photograph, so that only the subject is sharp. With basic techniques, e.g., a tool such as [[Adobe Systems|Adobe]] [[Photoshop]]'s Lens Blur filter,<ref> (contracted; show full) *Photographer Sam O'Hare uses 35,000 still photos to create the film ''[http://www.vimeo.com/9679622 The Sandpit]''. *The 2010 BBC TV series ''[[Sherlock (TV series)|Sherlock]]'' uses faked miniature scenes of London for the show's titles and transitions. *The 2010 film ''[[The Social Network]]'' uses miniature faking in a sequence showing a rowing event. == See also == * [[Tilt-shift photography]] == Notes == {{reflist}} == References == * Held, Robert T., Emily A. Cooper, James F. O'Brien, and Martin S. Banks. 2010. "Using Blur to Affect Perceived Distance and Size". ACM Transactions on Graphics, 29(2):19:1–16, March 2010. [http://doi.acm.org/10.1145/1731047.1731057 ACM Digital Library Record] [http://graphics.berkeley.edu/papers/Held-UBA-2010-03/ Project Homepage] (PDF) * Merklinger, Harold M. 1996. ''Focusing the View Camera''. Bedford, Nova Scotia: Seaboard Printing Limited. ISBN 0-9695025-2-4. [http://www.trenholm.org/hmmerk/download.html Available for download] (PDF). * Ray, Sidney F. 2000. The geometry of image formation. In ''The Manual of Photography: Photographic and Digital Imaging'', 9th ed. Ed. Ralph E. Jacobson, Sidney F. Ray, Geoffrey G. Atteridge, and Norman R. Axford. Oxford: Focal Press. ISBN 0-240-51574-9 [[Category:Photographic techniques]] All content in the above text box is licensed under the Creative Commons Attribution-ShareAlike license Version 4 and was originally sourced from https://de.wikipedia.org/w/index.php?diff=prev&oldid=104604662.
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