Difference between revisions 1103799216 and 1103820121 on enwiki

{{short description|Australian-born contemporary artist (born 1977)}}
{{Infobox artist
|name = Jemima Wyman
|image =
|caption = Wyman in 2017
|birth_date = {{birth year and age|1977}}
|birth_place = [[Sydney, Australia|Sydney]], [[Australia]]
|nationality = [[Australia]]n
(contracted; show full)The 5 interactive rooms were:
*Spinning Wall Mandala Portal
*Pattern Action Zone
*Pattern Power Moves
*Kaleidoscopic Tessellation Station
*Harlequin Hallway

In 2013-2014, Jemima Wyman had a one-on-one interview with Tasmin Cull, a Senior Program Officer for Children's Art Centre in the Queensland Art Gallery
 located in Brisbane, Australia, regarding this exhibition. Cull asks Wyman how the cultural and art historical references Wyman was inspired by influenced the different components of her work. Jemima Wyman responded:
<blockquote>"I hope that the clashing of patterns in the space will open up a line of inquiry for participants, encouraging them to look at how different groups of people use patterns, and their history."<ref>Cull, T. (2014). The Power of Patterns. Artlines, 34–37.</ref></blockquote>
The Keffiyeh pattern was used at one of the stations for the children to create bandanas. The Keffiyeh pattern has a history of being worn by British soldiers to create camouflage. Jemima Wyman tries to show how many patterns are used as fashion statements, but she wanted to shed light on how in recent events, protestors use the Keffiyeh as a mask to protect their identity, becoming a social camouflage.

===''Effacing Power'' (April 25 - May 25, 2013) ===
This solo exhibition utilized different mediums to transform images from various protest movements at the Steve Turner Contemporary in Los Angeles. The different mediums used in this exhibition were painting, photography, collage, and fabric sculpture to transform images from protest movements such as, Occupy Steubenville, Free Pussy Riot, and Black Bloc in Egypt.<ref>{{cite web |title=Jemima Wyman's official website |url=https://jemimawyman.wordpress.com/links/ |website=Jemima Wyman |access-date=4 August 2022}}</ref> Jemima Wyman incorporated domestic craft techniques like quilting and faux finish painting. Wyman incorporates these techniques into the clothing and masks worn by protestors, such as paisley bandannas, keffiyehs, and camouflage.  Reinforcing the idea that masks and disguises provide collective power and protection in conflict zones.⏎
⏎
===''The Declaration of Resemblance and Fluid Insurgents'' (2009) ===
This solo exhibition was held at the Institue of Modern Art. The exhibit showcased how plaid has multiple functions as not only fashion but a disguise as well. In terms of war and protests, if one does not wear the right camouflage on the battlefield, one can potentially die. The camouflage also symbolizes unity and comradery when on the same team. The exhibition comprised of wallpaper, two video works, a digital photo(contracted; show full){{Reflist}}

==External links==
* {{Official website|https://jemimawyman.wordpress.com/}

<br />{{authority control}}

{{DEFAULTSORT:Wyman, Jemima}}