Difference between revisions 679336 and 679378 on enwikiComments about '''Hergé and ideology'''. [[Herge|Hergé]] as a young artist was influenced by his mentors, specifically the [[Abbé Wallez]]. This shows in his most important works, the [[Tintin]] series. As the artist develops ideologically, so does the series. Hergé started drawing Tintin in the 1929 and continuedfor the children's section of the [[Belgium|Belgian]] newspaper [[Le Vingtieme Siecle]], aligned with the [[Rexism]] right-wing movement. He continued on other media until his death in 1983. === First albums === Tintin first albums, written and drawn during the [[1920s]], were anti-[[Soviet Union|Soviet]], pro-[[colonialism|colonialist]], and anti-[[USA|American]]. This is obvious from the first three albums, which mock the Soviets, the indigenous people of [[AfricaBelgian Congo]] and the white inhabitants of the US respectively. Hergé was young, [[Belgium|Belgian]] and [[Catholic church|catholic]] and published in a catholic newspaper. He was naïve and under influence ''(of ???)'' and his comics were reflecting the dominant ideolgy in Belgium at that time. === Turn-around with ''The Blue Lotus'' === (contracted; show full) *''The Red Sea Sharks'' is of course a statement against the modern day [[slave trade]], although it is not clear if it is ideological in nature. All content in the above text box is licensed under the Creative Commons Attribution-ShareAlike license Version 4 and was originally sourced from https://en.wikipedia.org/w/index.php?diff=prev&oldid=679378.
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