Revision 252891810 of "Acid rap" on enwiki

{{Infobox Music genre
|name=Acid rap
|bgcolor=crimson
|color=white
|stylistic_origins=[[Blues]]<br />[[Heavy metal music|Heavy metal]]<br />[[Hip hop music|Hip hop]]<br />[[Rock music|Rock]]
|cultural_origins=Late 1980s [[United States]]
|instruments=[[Rapping]] - [[Drum machine]] - [[Turntablism|Turntables]] - [[Sampler (musical instrument)|Sampler]] - [[Keyboard instrument|Keyboard]]
|popularity=Underground
|derivatives     = [[Horrorcore]] - [[nu metal]] - [[rap rock]] - [[rap metal]]
|local_scenes    = [[Midwest hip hop]]
}} 

'''Acid rap''' is a subgenre of [[alternative hip hop]] in which lyrics are often cryptic, abstract or abnormal, [[trippy]] or [[psychedelic]], spacey, dark or sinister, and sometimes drug or [[science fiction]]-related, with eerie or spaced-out drumbeats and instrumentation. It can sometimes include direct or indirect references to science fiction, outer space, and futuristic themes, such as [[Afrofuturism]], space or time travel, and extraterrestrials. However, acid rap usually encompasses a wide variety of strange or abstract themes.

This form of "acid rap" is not directly related to the Bristol-based genre of [[trip hop]], but shares many similarities, especially in instrumentation. In fact, the two genres often overlap.

==History==
A pioneer in "acid rap" is the alternative MC [[Kool Keith]], especially as Dr. Octagon on the 1996 album ''[[Dr. Octagonecologyst]]''.  Dr. Octagon's "Blue Flowers" is often thought of as defining the acid rap genre. Another acid rap landmark in Kool Keith's career was the 1999 album ''[[Black Elvis/Lost in Space]]'', though Kool Keith has featured acid rap themes on much of his work. [[Del tha Funkee Homosapien]] (who has stated his love for [[psychedelic drugs]]) and his super-group [[Deltron 3030]] are known for their "acid rap" music. [[Dan the Automator]] is responsible for much of the music production on the Dr. Octagon album and Deltron 3030 project, and he has featured acid rap on the album ''[[So... How's Your Girl?]]'', the debut album of his side project [[Handsome Boy Modeling School]]. The alternative rap group [[The Pharcyde]] are also credited with "acid rap" tracks in their 1992 acclaimed album ''[[Bizarre Ride II the Pharcyde]]''. 

[[DJ]]'s and producers that commonly create acid rap beats include [[DJ Q-Bert]], [[DJ Spooky]], [[DJ Shadow]], [[Invisibl Skratch Piklz]], [[Kid Koala]], and occasionally [[Mix Master Mike]].  

Rapper [[El-P]]'s discography, such as the recent ''[[I'll Sleep When You're Dead]]'', is a prime example of acid rap, as is much of collaborator [[Cage Kennylz]]'s work. [[Aesop Rock]], another [[Definitive Jux]] artist, also has intensely abstract lyrics that can be considered acid.  The British artist [[Tricky]] is often considered trip hop, but fits easily within the acid rap genre as well due to his unique trippy rapping style. [[Edan]]'s ''[[Beauty and the Beat (Edan album)|Beauty and the Beat]]'' also has some acid rap elements. Many rap artist who sample [[space rock]] or [[psychedelic music]] can also be considered acid rap.

[[Esham]], an underground Detroit rapper, specializes in a genre of rap he has dubbed "acid rap." Esham has defined the genre as analogous to "'modern day [[blues]] [or] [[heavy metal music|heavy metal]]'".<ref>{{cite book |last=Keyes |first=Cheryl Lynette |title=Rap Music and Street Consciousness |year=2002 |publisher=University of Illinois Press |isbn=0252072014, 9780252072017 |pages=page 108 |chapter=Blending and Shaping Styles: Rap and Other Musical Voices |quote=Advancing the marriage of heavy metal and rap is Detroit's underground artist, Esham, who is credited for "acid rap." Esham defines acid rap as analogus to "'modern day blues [or] heavy metal'" (quoted in Alert 2000:107). }}</ref> Esham's self-proclaimed acid rap shares many similarities with the genre commonly known as acid rap, such as eerie and dark subject matter and trippy beats. Esham has even collaborated with frequent acid rapper Kool Keith on his 2001 release, ''[[Tongues (Esham)|Tongues]]''. Esham is known for his hallucinogenic style fusing [[rock music|rock]]-based beats and lyrics involving trippy subjects. <ref name="AMGHipHop">{{cite book |editor= |others= |title=All Music Guide to Hip-Hop: The Definitive Guide to Rap & Hip-hop |year=2003 |isbn=0879307595 |publisher=Backbeat Books |pages=pages 160—163 }}</ref><ref name="McLeod">{{cite news |first=Rodd |last=McLeod |title=The Wicket World of Natas |url=http://www.rollingstone.com/news/story/5923056/the_wicket_world_of_natas |publisher=''[[Rolling Stone]]'' |date=March 2, 2000 |accessdate=2008-07-19 }}</ref>Esham's genre of "acid rap" also fits comfortably in the [[hardcore hip hop]] and [[horrorcore]] categories, as it often involves eerie mind-bending lyrics about sex, drugs, paranoia, murder, gore, and the [[occult]]. Followers of Esham include [[Eminem]], who was associated with and often placed in the acid rap genre early in his career prior to his widespread popularity.<ref name="Cohen">{{cite book |last=Cohen |first=Sara |title=Decline, Renewal and the City in Popular Music Culture: Beyond The Beatles |year=2007 |publisher=Ashgate Publishing, Ltd. |isbn=0754632431 |pages=page 52 |quote=The music journalist and author Dan Sicko describes certain strains of Detroit hip-hop as 'an extreme, almost parodied' version of inner city life, which he links to the extremities of urban decline in the city: 'both the horrorcore of hip-hop outfits such as Insane Clown Posse, Esham and (to a lesser extent) the multi-platinum-selling Eminem, utilize shocking (and blatantly over the top narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit' (cited in Cohen and Strachan, 2005).}}</ref><ref name="BehindthePaint174">{{cite book |last=Bruce |first=Joseph |authorlink=Joseph Bruce |coauthors=Hobey Echlin |editor=Nathan Fostey |title=ICP: Behind the Paint |origdate= |origyear=2003 |origmonth=August |edition=2nd Edition |publisher=Psychopathic Records |location=Royal Oak, Michigan |isbn=034544762X |pages=pages 174—185 |chapter=The Dark Carnival }}</ref> 

 Esham has been cited as one of the innovators of the genre,<ref name="AMGHipHop">{{cite book |editor= |others= |title=All Music Guide to Hip-Hop: The Definitive Guide to Rap & Hip-hop |year=2003 |isbn=0879307595 |publisher=Backbeat Books |pages=pages 160—163 }}</ref><ref name="McLeod">{{cite news |first=Rodd |last=McLeod |title=The Wicket World of Natas |url=http://www.rollingstone.com/news/story/5923056/the_wicket_world_of_natas |publisher=''[[Rolling Stone]]'' |date=March 2, 2000 |accessdate=2008-07-19 }}</ref> and compared his lyrical content to hallucinations induced by [[lysergic acid diethylamide|LSD]].<ref name="McLeod">{{cite news |first=Rodd |last=McLeod |title=The Wicket World of Natas |url=http://www.rollingstone.com/news/story/5923056/the_wicket_world_of_natas |publisher=''[[Rolling Stone]]'' |date=March 2, 2000 |accessdate=2008-07-19 }}</ref> Acid rap has also been described as a fusion of hip hop beats and [[death metal]] lyrics,<ref name="McLeod"/> and Esham's music has also been cited as an example of "[[horrorcore]]" hip hop.<ref name="Cohen">{{cite book |last=Cohen |first=Sara |title=Decline, Renewal and the City in Popular Music Culture: Beyond The Beatles |year=2007 |publisher=Ashgate Publishing, Ltd. |isbn=0754632431 |pages=page 52 |quote=The music journalist and author Dan Sicko describes certain strains of Detroit hip-hop as 'an extreme, almost parodied' version of inner city life, which he links to the extremities of urban decline in the city: 'both the horrorcore of hip-hop outfits such as Insane Clown Posse, Esham and (to a lesser extent) the multi-platinum-selling Eminem, utilize shocking (and blatantly over the top narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit' (cited in Cohen and Strachan, 2005).}}</ref> The hip hop group Inner City Posse adopted the acid rap style as a means of distinguishing themselves stylistically from other [[hardcore hip hop]] groups, under the suggestion of member [[Joseph Bruce]], who also gave the group its new name, [[Insane Clown Posse]].<ref name="BehindthePaint174">{{cite book |last=Bruce |first=Joseph |authorlink=Joseph Bruce |coauthors=Hobey Echlin |editor=Nathan Fostey |title=ICP: Behind the Paint |origdate= |origyear=2003 |origmonth=August |edition=2nd Edition |publisher=Psychopathic Records |location=Royal Oak, Michigan |isbn=034544762X |pages=pages 174—185 |chapter=The Dark Carnival }}</ref> According to author Cheryl Lynette Keyes, Esham's "metal sound with a hip-hop feel" formed the musical basis for acts such as [[Kid Rock]], [[Korn]], [[Limp Bizkit]], [[Everlast (musician)|Everlast]], and [[Kottonmouth Kings]].<ref name="Keyes"/>

==References==
{{reflist}}

[[Category:Hip hop genres]]