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''For a topical guide to this subject, see [[Outline of architecture]].''<!-- PLEASE LEAVE THIS LINE IN PLACE as it leads to the page that serves as the table of contents for this subject's coverage across Wikipedia. Thank you.-->

[[ගොනුව:Brunelleshi-and-Duomo-of-Florence.gif|thumb|Section and elevation of the dome of [[Florence Cathedral]], [[Italy]].]]
[[ගොනුව:Duomo Firenze.jpg|thumb|[[Brunelleschi]] in [[Italy]], in the building of the dome, not only transformed the cathedral and the city of Florence, but also the role and status of the architect.]]



'''ගෘහ නිර්මාණ ශිල්පය''' (Architecture) යනු is both the process and product of planning, designing and constructing space that reflects functional, social, and aesthetic considerations. It requires the manipulation and coordination of material, technology, light, and shadow.  Architecture also encompasses the pragmatic aspects of realizing designed spaces, such as project planning, cost estimating and construction administration. A wider definition may comprise all design activity from the macro-level (urban design, landscape architecture) to the micro-level (construction details and furniture). In fact, architecture today may refer to the activity of designing any kind of system and is often used in the IT world.

Architectural works are often perceived as cultural and political symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. 


'''Architecture'''  ([[Latin]] „architectura“, from the Greek „arkitekton“, ὰρχιτεκτονική – arkhitektonike, from ὰρχι ''chief'' or ''leader'' and Τεκτονική ''builder'' or ''carpenter'') is the art and science of designing buildings and other physical structures.

== ගෘහ නිර්මාණ ශිල්පී ==
{{මූලික|ගෘහ නිර්මාණ ශිල්පී}}

Architects plan, design and review the construction of buildings and structures for the use of people by the creative organization of materials and components with consideration to [[mass]], [[space]], form, [[volume]], [[texture]], [[structure]], [[light]], [[shadow]], [[materials]], [[Brief (architecture)|program]], and pragmatic elements such as cost, construction limitations and technology, to achieve an end which is usually functional, economical, practical and often artistic. This distinguishes architecture from [[engineering]] design, which has as its primary object the creative manipulation of materials and forms using [[mathematics|mathematical]] and [[applied science|scientific]] principles.
As documentation produced by architects, typically drawings, plans and technical specifications, architecture defines the [[structure]] and/or [[behavior]] of a building or any other kind of [[system]] that is to be or has been constructed.

== Theory of architecture ==
{{මූලික|Architectural theory}}
=== Historic treatises ===
[[ගොනුව:Persepolis Colonne flandin.jpg|thumb|upright|[[Architectural drawing]]s of details of the Palace of [[Persepolis]], [[Persia]] ([[Iran]])]]
The earliest written work on the subject of architecture is ''[[De architectura]]'', by the Roman architect [[Vitruvius]] in the early 1st century CE.<ref name="Vitruvius">D. Rowland - T.N. Howe: Vitruvius. Ten Books on Architecture. Cambridge University Press, Cambridge 1999, ISBN 0-521-00292-3</ref> According to Vitruvius, a good building should satisfy the three principles of ''firmitatis utilitatis venustatis'',<ref>Translated by Henry Wotton, in 1624, as "firmness, commodity and delight" [http://www.gardenvisit.com/landscape/LIH/history/vitruvius.htm#ch1-3]</ref><ref name="elements">Vitruvius [http://penelope.uchicago.edu/Thayer/L/Roman/Texts/Vitruvius/home.html] </ref> which translates roughly as -
* Durability - it should stand up robustly and remain in good condition.
* Utility - it should be useful and function well for the people using it.
* Beauty - it should delight people and raise their spirits.
According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible.
[[Leone Battista Alberti]], who elaborates on the ideas of Vitruvius in his treatise, [[De Re Aedificatoria]], saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealised human figure, the [[Golden Mean]]. 
The most important aspect of beauty was therefore an inherent part of an object, rather than something applied superficially; and was based on universal, recognisable truths. The notion of style in the arts was not developed until the 16th century, with the writing of [[Vasari]].<ref>Françoise Choay, ''Alberti and Vitruvius'', editor, Joseph Rykwert, Profile 21, Architectural Design, Vol 49 No 5-6</ref> The treatises, by the 18th century, had been translated into Italian, French, Spanish and English.
[[ගොනුව:Parthenon-Restoration-Nov-2005-a.jpg|thumb|left|The [[Parthenon]], [[Athens]], [[Greece]], "the supreme example among architectural sites." [[Banister Fletcher|(Fletcher)]].<ref>Banister Fletcher, ''A History of Architecture on the Comparative Method''</ref>]]
In the early nineteenth century, [[Augustus Welby Northmore Pugin]] wrote Contrasts (1836) that, as the titled suggested, contrasted the modern, industrial world, which he disparaged, with an idealized image of neo-medieval world. [[Gothic architecture]], Pugin believed, was the only “true Christian form of architecture.”

The 19th century English art critic, [[John Ruskin]], in his ''Seven Lamps of Architecture'', published 1849,<ref>John Ruskin, ''The Seven Lamps of Architecture'', G. Allen (1880), reprinted Dover, (1989) ISBN 0-486-26145-X</ref> was much narrower in his view of what constituted architecture. Architecture was the "art which so disposes and adorns the edifices raised by men ... that the sight of them" contributes "to his mental health, power, and pleasure". 

For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way "adorned". For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, at the very least.

On the difference between the ideals of "architecture" and mere [[construction|"construction"]], the renowned 20th C. architect [[Le Corbusier]] wrote: "You employ stone, wood, and concrete, and with these materials you build houses and palaces: that is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good. I am happy and I say: This is beautiful. That is Architecture".<ref>Le Corbusier, ''Towards a New Architecture'', Dover Publications(1985). ISBN 0-486-25023-7</ref>

[[ගොනුව:National Congress of Brazil.jpg|thumb|The [[National Congress of Brazil]], designed by [[Oscar Niemeyer]].]]

=== Contemporary concepts of architecture ===
The great 19th century architect of skyscrapers, [[Louis Sullivan]], promoted an overriding precept to architectural design: "[[Form follows function]]".

While the notion that structural and aesthetic considerations should be entirely subject to functionality was met with both popularity and skepticism, it had the effect of introducing the concept of "function" in place of Vitruvius "utility". "Function" came to be seen as encompassing all criteria of the use, perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural.

[[ගොනුව:Sydney Opera House Sails edit02.jpg|left|thumb|[[Sydney Opera House]], [[Australia]] designed by [[Utzon]].]]

Nunzia Rondanini stated, "Through its aesthetic dimension architecture goes beyond the functional aspects that it has in common with other human sciences. Through its own particular way of expressing [[Architectural design values|values]], architecture can stimulate and influence social life without presuming that, in and of itself, it will promote social development.'

To restrict the meaning of (architectural) formalism to art for art's sake is not only reactionary; it can also be a purposeless quest for perfection or originality which degrades form into a mere instrumentality".<ref> Rondanini, Nunzia ''Architecture and Social Change'' Heresies II, Vol. 3, No. 3, New York, Neresies Collective Inc., 1981.</ref>

Among the philosophies that have influenced modern architects and their approach to building design are [[rationalism]], [[empiricism]], [[structuralism]], [[poststructuralism]], and [[Phenomenology (philosophy)|phenomenology]].

In the late 20th century a new concept was added to those included in the compass of both structure and function, the consideration of [[sustainability]]. To satisfy the contemporary ethos a building should be constructed in a manner which is environmentally friendly in terms of the production of its materials, its impact upon the natural and built environment of its surrounding area and the demands that it makes upon non-sustainable power sources for heating, cooling, water and waste management and [[lighting]].

== History ==
{{මූලික|History of architecture}}
[[ගොනුව:HT village house 4.jpg|thumb|Vernacular architecture in [[Denmark]].]]
=== Origins and the ancient world ===
Architecture first evolved out of the dynamics between needs (shelter, security, worship, etc.) and means (available [[building material]]s and attendant skills). As human cultures developed and knowledge began to be formalized through oral traditions and practices, architecture became a [[craft]]. 

Here there is a process of trial and error, and later improvisation or replication of a successful trial. What is termed [[Vernacular architecture]] continues to be produced in many parts of the world. Indeed, vernacular buildings make up most of the built world that people experience every day.
[[ගොනුව:Bayon Angkor Spiegelung.jpg|thumb|left|''[[Angkor]]'', [[Cambodia]].]]
Early human settlements were mostly [[rural]]. Due to a surplus in production the economy began to expand resulting in urbanization thus creating [[urban area]]s which grew and evolved very rapidly in some cases, such as that of [[Çatal Höyük]] in [[Anatolia]] and [[Mohenjo Daro]] in Pakistan. 

In many ancient civilizations, like the Egyptians' and Mesopotamians', architecture and urbanism reflected the constant engagement with the divine and the [[supernatural]], while in other ancient cultures such as [[Persia]] architecture and [[urban planning]] was used to exemplify the power of the state.

The architecture and [[urbanism]] of the [[Classical antiquity|Classical civilizations]] such as the [[Ancient Greece|Greek]] and the [[Ancient Rome|Roman]] evolved from civic ideals rather than religious or empirical ones and new building types emerged. Architectural styles developed.

Texts on architecture began to be written in the Classical period. These became canons to be followed in important works, especially religious architecture. Some examples of canons are found in the writings of [[Vitruvius]], the ''[[Kao Gong Ji]]'' of ancient [[China]]<ref>7th-5th centuries BCE.</ref> and [[Vaastu Shastra]] of ancient [[India]] and Manjusri vasthu vidya sastra of [[Sri Lanka]]<ref>http://en.wikipedia.org/wiki/Architecture_of_ancient_Sri_Lanka</ref> .

The architecture of different parts of [[Asia]] developed along different lines from that of Europe, Buddhist, Hindu and Sikh architecture each having different characteristics. Buddhist architecture, in particular, showed great regional diversity. In many [[Asia]]n countries a pantheistic religion led to architectural forms that were designed specifically to enhance the [[natural landscape]].

=== The medieval builder ===
[[ගොනුව:Taj Mahal in March 2004.jpg|thumb|The [[Taj Mahal]], in [[India]]]]
[[Islamic architecture]] began in the 7th century [[Common Era|CE]], developing from a blend of architectural forms from the ancient [[Middle East]] and from [[Byzantium]] but also developing features to suit the religious and social needs of the society. Examples can be found throughout the Middle East, North Africa and Spain, and were to become a significant stylistic influence on European architecture during the Medieval period.

[[ගොනුව:Wells.cathedral.front.arp.jpg|thumb|left|[[Wells Cathedral]], [[Somerset]], [[England]], [[United Kingdom]].]]
In [[Europe]], in both the [[Classical antiquity|Classical]] and [[Medieval]] periods, buildings were not attributed to specific individuals and the names of the architects frequently unknown, despite the vast scale of the many religious buildings extant from this period. 

During the Medieval period [[guild]]s were formed by craftsmen to organize their trade and written contracts have survived, particularly in relation to ecclesiastical buildings. The role of architect was usually one with that of master mason, or ''Magister lathomorum'' as they are sometimes described in contemporary documents. 

Over time the complexity of buildings and their types increased. General civil construction such as roads and bridges began to be built. Many new building types such as schools, hospitals, and recreational facilities emerged.

=== Renaissance and the architect ===
[[ගොනුව:La Rotonda.png|thumb|''[[La Rotonda]]'', [[Italy]] by [[Palladio]]]]
With the [[Renaissance]] and its emphasis on the individual and humanity rather than religion, and with all its attendant progress and achievements, a new chapter began. Buildings were ascribed to specific architects - [[Brunelleschi]], [[Alberti]], [[Michelangelo]], [[Palladio]] - and the cult of the individual had begun. 

There was still no dividing line between [[artist]], [[architect]] and [[engineer]], or any of the related vocations, and the appellation was often one of regional preference. At this stage, it was still possible for an artist to design a bridge as the level of structural calculations involved was within the scope of the generalist.

=== Early modern and the industrial age ===
With the emerging knowledge in scientific fields and the rise of new materials and technology, architecture and [[engineering]] began to separate, and the architect began to concentrate on [[aesthetics]] and the [[Humanist (life stance)|humanist]] aspects, often at the expense of technical aspects of building design. [[ගොනුව:StPancrasMidlandHotel.jpg|thumb|left|St Pancras Midland Hotel, [[London]], [[United Kingdom]]]]There was also the rise of the "gentleman architect" who usually dealt with wealthy clients and concentrated predominantly on visual qualities derived usually from historical prototypes, typified by the many country houses of Great Britain that were created in the [[Neo Gothic]] or [[Scottish Baronial]] styles.

Formal architectural training in the 19th century, for example at [[Ecole des Beaux Arts]] in [[France]], gave much emphasis to the production of beautiful drawings and little to context and feasibility. Effective architects generally received their training in the offices of other architects, graduating to the role from draughtsmen or clerks.

Meanwhile, the [[Industrial Revolution]] laid open the door for mass production and consumption. Aesthetics became a criterion for the middle class as ornamented products, once within the province of expensive craftsmanship, became cheaper under machine production. 

[[Vernacular architecture]] became increasingly ornamental. House builders could use current architectural design in their work by combining features found in pattern books and architectural journals.

=== Modernism and reaction of architecture ===
{{මූලික|Modern architecture}}
[[ගොනුව:Bauhaus-Dessau main building.jpg|thumb|right|The [[Bauhaus]] Dessau architecture department from 1925 by [[Walter Gropius]]]]

The dissatisfaction with such a general situation at the turn of the twentieth century gave rise to many new lines of thought that served as precursors to [[Modern Architecture]]. Notable among these is the [[Deutscher Werkbund]], formed in 1907 to produce better quality machine made objects. The rise of the profession of [[industrial design]] is usually placed here.

Following this lead, the [[Bauhaus]] school, founded in [[Germany]] in 1919, consciously rejected [[history]] and looked at architecture as a synthesis of art, craft, and technology.

When [[Modern architecture]] was first practiced, it was an [[avant-garde]] movement with moral, philosophical, and aesthetic underpinnings. Immediately after [[World War I]], pioneering modernist architects sought to develop a completely new style appropriate for a new post-war social and economic order, focused on meeting the needs of the middle and working classes. They rejected the architectural practice of the academic refinement of historical styles which served the rapidly declining aristocratic order.
[[ගොනුව:FallingwaterWright.jpg|thumb|left|''[[Fallingwater]]'' by [[Frank Lloyd Wright]].]]
The approach of the Modernist architects was to reduce buildings to pure forms, removing historical references and ornament in favor of functionalist details. Buildings that displayed their construction and structure, exposing steel beams and concrete surfaces instead of hiding them behind traditional forms, were seen as beautiful in their own right. 

Architects such as [[Mies van der Rohe]] worked to create beauty based on the inherent qualities of building materials and modern construction techniques, trading traditional historic forms for simplified geometric forms, celebrating the new means and methods made possible by the [[Industrial Revolution]].

Many architects resisted Modernism, finding it devoid of the decorative richness of ornamented styles. As the founders of the [[International style (architecture)|International Style]] lost influence in the late 1970s, [[Postmodernism]] developed as a reaction against the austerity of Modernism. [[Robert Venturi]]'s contention that a "decorated shed" (an ordinary building which is functionally designed inside and embellished on the outside) was better than a "duck" (a building in which the whole form and its function are tied together) gives an idea of this approach.

=== Architecture today ===
{{මූලික|Contemporary architecture}}

[[ගොනුව:Oriente Station Lisboa roof.jpg|thumb|Postmodern design at [[Gare do Oriente]], [[Lisbon]], [[Portugal]], by [[Santiago Calatrava]].]]
Part of the architectural profession, and also some non-architects, responded to [[Modernism]] and [[Postmodernism]] by going to what they considered the root of the problem. They felt that architecture was not a personal philosophical or aesthetic pursuit by individualists; rather it had to consider everyday needs of people and use technology to give a livable environment. 

The ''Design Methodology Movement'' involving people such as [[Christopher Alexander]] started searching for more people-oriented designs. Extensive studies on areas such as behavioral, environmental, and social sciences were done and started informing the design process.

As the complexity of buildings began to increase (in terms of structural systems, services, energy and technologies), architecture started becoming more multi-disciplinary. Architecture today usually requires a team of specialist professionals, with the architect being one of many, although usually the team leader.

During the last two decades of the twentieth century and into the new millennium, the field of architecture saw the rise of specializations by project type, technological expertise or project delivery methods. In addition, there has been an increased separation of the 'design' architect {{Ref_label|A|a|none}} from the 'project' architect.{{Ref_label|B|b|none}}

Moving the issues of environmental [[sustainability]] into the mainstream is a significant development in the architecture profession. Sustainability in architecture was pioneered in the 1970s by architects such as [[Ian McHarg]] in the US and [[Brenda and Robert Vale]] in the UK and New Zealand. There has been an acceleration in the number of buildings which seek to meet [[green building]] [[sustainable design]] principles. It is now expected that architects will integrate sustainable principles into their projects.<ref> Sustainable practices that were at the core of vernacular architecture increasingly provide inspiration for environmentally and socially sustainable contemporary techniques[http://el.doccentre.info/eldoc/0411/dwvernacular_architecture.html]. The U.S. Green Building Council's [[Leadership in Energy and Environmental Design|LEED]] (Leadership in Energy and Environmental Design) rating system has been instrumental in this. Other [[energy efficiency]] and green building rating systems include Energy Star, Green Globes, and CHPS ([[Collaborative for High Performance Schools]]),LEED.</ref> An example of an architecturally innovative green building is the [[Dynamic Tower]] which will be powered by [[wind turbine]]s and [[photovoltaics|solar panels]].<ref name=AP>{{Cite web |title=AssociatedPress |url=http://www.youtube.com/watch?v=Bq-QUkE1DGM&fmt=18 |publisher=AssociatedPress |accessdate=2008-12-21}}</ref>

== See also ==

[[ගොනුව:Bank of america tower sept 2007.jpg|thumb|upright|The [[Bank of America Tower, New York City|Bank of America Tower]], [[New York City]], [[United States]]]] 
{{මූලික|Outline of architecture|Index of architecture articles}}
* [[Architect]]
* [[Architectural design competition]]
* [[Architectural style]]
* [[Digital morphogenesis]]
* [[Glossary of architecture]]
* [[History of Architecture]]
* [[Liturgical architecture]]
* [[Organic architecture]]

== Notes ==

<div class="references-small">
'''a.''' {{Note_label|A|a|none}} A design architect is one who is responsible for the design<br />
'''b.''' {{Note_label|B|b|none}} A project architect is one who is responsible for ensuring the design is built correctly and who administers building contracts - in non-specialist architectural practices the project architect is also the design architect and the term refers to the differing roles the architect plays at differing stages of the process.
</div>

== References ==
{{Portal|Architecture|Parthenon.JPG}}
{{sisterlinks}}
{{reflist}} 
* Panayiotis Pagalos, "The significance of time in contemporary architecture. Technical and poetic time: the case of Aldo Rossi", Phd dissertation, University of Patras, Greece, 2008

== External links ==

* [http://www.arch-library.com arch-library]
* [http://www.architecture.com Architecture.com], published by [[Royal Institute of British Architects]]
* [http://www.worldarchitecture.org Worldarchitecture.org], World Architecture Database
* [http://www.uia-architectes.org/texte/england/Menu-7/1-musees.html Architectural centers and museums in the world], list of links from the [[International Union of Architects|UIA]]
[[ප්‍රවර්ගය:Architecture| ]]
[[ප්‍රවර්ගය:Architectural design]]
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[[ප්‍රවර්ගය:ගෘහ නිර්මාණ ශිල්පය]]

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