Difference between revisions 10138060 and 10141147 on ukwiki

== Джерела ==
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* Barker, Martin, and Thomas Austin (2000). ''From Antz to Titanic: Reinventing Film Analysis'' (Pluto Press). ISBN 0-7453-1579-8
*Bart, Peter (2000). ''The Gross: The Hits, the Flops—The Summer That Ate Hollywood'' (New York: St. Martin's). ISBN 0-312-25391-5
*Bell, David (2000). "Eroticizing the Rural", in ''De-Centering Sexualities: Politics and Representations Beyond the Metropolis'', ed. David Shuttleton, Diane Watt, and Richard Phillips (London and New York: Routledge). ISBN 0-415-19466-0
*Biskind, Peter (2004). ''Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film'' (New York: Simon & Schuster). ISBN 0-684-86259-X
*Brooker, Peter, and Will Brooker (1996). "Pulpmodernism: Tarantino's Affirmative Action", in ''Film Theory: Critical Concepts in Media and Cultural Studies'', ed. Philip Simpson, Andrew Utterson, and Karen J. Shepherdson (London and New York: Routledge). ISBN 0-415-25971-1
*Charyn, Jerome (2006). ''Raised by Wolves: The Turbulent Art and Times of Quentin Tarantino'' (New York: Thunder's Mouth Press). ISBN 1-56025-858-6
*Christopher, Nicholas (2006). ''Somewhere in the Night: Film Noir and the American City'' (Emeryville, Calif.: Shoemaker & Hoard). ISBN 1-59376-097-3
*Conard, Mark T. (2006). "Symbolism, Meaning, and Nihilism in ''Pulp Fiction''", in ''The Philosophy of Film Noir'', ed. Mark T. Conard (Lexington: University Press of Kentucky). ISBN 0-8131-2377-1
*Constable, Catherine (2004). "Postmodernism and Film", in ''The Cambridge Companion to Postmodernism'', ed. Steven Connor (Cambridge: Cambridge University Press). ISBN 0-521-64840-8
*Dancyger, Ken (2002). ''The Technique of Film and Video Editing: History, Theory, and Practice'', 3d ed. (New York: Focal Press). ISBN 0-240-80420-1
*Dargis, Manohla (1994). "Pulp Instincts/Quentin Tarantino on ''Pulp Fiction''", ''Sight & Sound'' vol. IV, no. 5 (May). Collected in ''Quentin Tarantino: Interviews'', ed. Gerald Peary (Jackson: University Press of Mississippi, 1998). ISBN 1-57806-051-6
*Dawson, Jeff (1995). ''Quentin Tarantino: The Cinema of Cool'' (New York and London: Applause). ISBN 1-55783-227-7
*Dinshaw, Carolyn (1997). "Getting Medieval: ''Pulp Fiction'', Gawain, Foucault", in ''The Book and the Body'', ed. Dolores Warwick Frese and Katherine O'Brien O'Keeffe (Notre Dame: University of Notre Dame Press). ISBN 0-2680-0700-4
*Fraiman, Susan (2003). ''Cool Men and the Second Sex'' (New York: Columbia University Press). ISBN 0-231-12962-9
*Fulwood, Neil (2003). ''One Hundred Violent Films that Changed Cinema'' (London and New York: Batsford/Sterling). ISBN 0-7134-8819-0
*Giroux, Henry A. (1996). ''Fugitive Cultures: Race, Violence, and Youth'' (London and New York: Routledge). ISBN 0-415-91577-5
*Gormley, Paul (2005). ''The New-Brutality Film: Race and Affect in Contemporary Hollywood Cinema'' (Bristol, UK, and Portland, Ore.: Intellect). ISBN 1-84150-119-0
*Groth, Gary (1997). "A Dream of Perfect Reception: The Movies of Quentin Tarantino", in ''Commodify Your Dissent: Salvos from The Baffler'', ed. Thomas Frank and Matt Weiland (New York: W.W. Norton). ISBN 0-393-31673-4
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*Hirsch, Foster (1997). "Afterword", in ''Crime Movies'', exp. ed., Carlos Clarens (Cambridge, Mass.: Da Capo). ISBN 0-306-80768-8
*Hoffman, David (2005). ''The Breakfast Cereal Gourmet'' (Kansas City, Mo.: Andrews McMeel). ISBN 0-7407-5029-1
*King, Geoff (2002). ''Film Comedy'' (London: Wallflower Press). ISBN 1-903364-35-3
*Kolker, Robert (2000). ''A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman'', 3d ed. (New York: Oxford University Press). ISBN 0-19-512350-6
*Miller, Stephen Paul (1999). ''The Seventies Now: Culture As Surveillance'' (Durham, N.C.: Duke University Press). ISBN 0-8223-2166-1
*O'Brien, Geoffrey (1994). "Quentin Tarantino's Pulp Fantastic", in ''Castaways of the Image Planet: Movies, Show Business, Public Spectacle'' (Washington, D.C.: Counterpoint). ISBN 1-58243-190-6
*Polan, Dana. (2000). ''Pulp Fiction'' (London: BFI). ISBN 0-85170-808-0
*Rabinowitz, Paula (2002). ''Black & White & Noir: America's Pulp Modernism'' (New York: Columbia University Press). ISBN 0-231-11480-X
*Real, Michael R. (1996). ''Exploring Media Culture: A Guide'' (Thousand Oaks, Calif., London, and New Delhi: Sage). ISBN 0-8039-5877-3
*Reinhartz, Adele (2003). ''Scripture on the Silver Screen'' (Louisville, Ky.: Westminster John Knox Press). ISBN 0-664-22359-1
*Rubin, Nathan (1999). ''Thrillers'' (Cambridge, New York, and Melbourne: Cambridge University Press). ISBN 0-521-58839-1
*Silver, Alain, and James Ursini (2004). ''Film Noir'' (Cologne: Taschen). ISBN 3-8228-2261-2
*Thomas, Brian (2003). ''VideoHound's Dragon: Asian Action & Cult Flicks'' (Canton, Mich.: Visible Ink Press). ISBN 1-5785-9141-4
*Tincknell, Estella (2006). "The Soundtrack Movie, Nostalgia and Consumption", in ''Film's Musical Moments'', ed. Ian Conrich and Estella Tincknell (Edinburgh: Edinburgh University Press). ISBN 0-7486-2344-2
*Walker, David (2005). "Tarantino, Quentin", in ''The Routledge Companion to Postmodernism'', 2d ed., ed. Stuart Sim (London and New York: Routledge). ISBN 0-415-33358-X
*Waxman, Sharon (2005). ''Rebels on the Backlot: Six Maverick Directors and How They Conquered the Hollywood Studio System'' (New York: HarperCollins). ISBN 0-06-054017-6
*White, Glyn (2002). "Quentin Tarantino", in ''Fifty Contemporary Filmmakers'', ed. Yvonne Tasker (London and New York: Routledge). ISBN 0-415-18973-X
*Willis, Sharon (1997). ''High Contrast: Race and Gender in Contemporary Hollywood Film'' (Durham, N.C.: Duke University Press). ISBN 0-8223-2041-X
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== Примітки ==
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