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Comments about '''Hergé and ideology'''.

[[Herge|Hergé]] as a young artist was influenced by his mentors, specifically the [[Abbé Wallez]]. This shows in his most important works, the [[Tintin]] series. As the artist develops ideologically, so does the series.

Hergé started drawing Tintin in the 1929 and continued until his death in 1983. 

=== First albums === 

Tintin first albums, written and drawn during the [[1920s]], were anti-[[Soviet Union|Soviet]], pro-[[colonialism|colonialist]], and anti-[[USA|American]]. This is obvious from the first three albums, which mock the Soviets, the indigenous people of [[Africa]] and the white inhabitants of the US respectively. Hergé was young, [[Belgium|Belgian]] and [[Catholic church|catholic]] and published in a catholic newspaper. He was naïve and under influence ''(of ???)'' and his comics were reflecting the dominant ideolgy in Belgium at that time.

=== Turn-around with ''The Blue Lotus'' ===

Things began to change with ''[[The Blue Lotus]]'' (his encouter with Tchang may have changed his mind): his vision of China is more subtle and the album can be read as anti-[[imperialism|imperialist]]. ''(Some more about the political row this album caused)''

=== The Second World War ===

Things got more complicated later. ''King Ottokar's Sceptre'' was obviously anti-[[nazi]]. But some albums were more controversial. The early and unfinished version of ''Land of Black Gold'' is generally considered as pro-[[Arab]], anti-[[Zionist]] and anti-[[Britain|British]].

A morevery controversial book is ''The Shooting Star'' which is about a race between two crews who are trying to reach a [[meteorite]] landed in the [[arctic]] seas. This race can be interpreted as a competition between [[Europe|Europeans]] ([[Germany|German]] occupied at that time) and Anglo-Americans (the financial backer of the Anglo-Americans has a [[Judaism|Jewish]] name, although this has been changed in some editions, and Tintin flies a German plane at least in first edition). Others say the ideology is not obvious and maybe it was done to fool [[censorship]] but it can be discussed.

Generally it is accepted that Hergé during the nazi-German occupation of Belgium tried to avoid writing controversial Tintin stories. The ones written in that period, ''The Shooting Star'', ''The Secret of the Unicorn'', and ''Red Rackham's Treasure'', are all stories in which the protagonists leave the known, political world in search of treasure elsewhere.

=== Post-war ===

''The Calculus Affair'' is anti-[[Stalinism|Stalinist]] but there is nothing specifically controversial in it.

''The Castafiore Emerald'' takes part for the [[gypsy|gypsies]].

''Flight 714'' is obviously mocking [[Marcel Dassault]] who was both Jewish and a weapon seller, this could be interpreted as [[anti-semitic]] by some but there's no reference to the fact he was Jewish. Weapons sellers are a recurring theme in Tintin, there are several (more or less obvious) references to [[De Havilland]].

=== Picaros ===

The last controversial album is ''Tintin and the Picaros''; it has been seen both as left-wing and right-wing. In it, Tintin goes through profound changes. Where the fans were originally put off by cosmetic changes, this is the first album in which Tintin changes from a faceless hero to somebody of flesh and blood. Where in all earlier stories the reporter was able to change his environment for the better, here he is able to change the enviroment too, through [[revolution]], no less. Or so it seems. For in the  very last panel of his very last finished album, Hergé shows how the new order still has the military keeping order in the slums, of which the inhabitants are off no better and no worse.


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To do: 
* Hergé got arrested: his working during the war was seen as collaboration.
* Hergé rewrote and redrew an enormous amount of his stories. For instance, Captain Haddock's heavy drinking got edited severely, and ''The Black Island'' was almost entirely redrawn, because the British publisher felt the depiction of [[England]] and [[Scotland]] in that album was outdated. Yet, possible [[racist]] and [[anti-semitic]] parts of the story were maintained. See http://www.cwi.nl/ftp/dik/strips/KUIFJE/ for examples.
*''The Red Sea Sharks'' is of course a statement against the modern day [[slave trade]], although it is not clear if it is ideological in nature.