Difference between revisions 31559541 and 31560612 on nlwiki

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'''Chambres d'Amis''' was een spraakmakende kunsttentoonstelling die plaatsvond in de stad [[Gent]] in [[1986]]. De tentoonstelling werd gecreëerd door [[Jan Hoet]].


== Opzet en concept ==
=== een reactie op de bestaande context ===
(contracted; show full)
the traditional media - like painting and sculpture - and the desire to resist the forces of the capitalism market economy, in which artworks circulate as transportable and exchangeable commodity goods.

=== 
cConcept van Jan Hoet ===
Jan Hoet (Leuven, 23 juni 1936) not only was the curator of SMAK (Stedelijk Museum voor Actuele Kunst) in Ghent, but also of some large scale exhibitions such as Chambres D'Amis (1986) and Documenta IX (1992) in Cassel. In an interview he put forward the idea for Chambres d' Amis after a discussion he had in at a symposium in Bari:

“I was at a symposium in Bari with other international curators. (…) The Americans
(contracted; show full)
Pas in latere afleveringen van de documenta verschoof het artistieke zwaartepunt naar hedendaagse kunst en in het bijzonder naar de nieuwste stromingen. Was de eerste documenta nog vrijwel geheel gericht op kunstenaars uit Europa, later verbreedde
dat ook naar werken van kunstenaars uit Amerika, Afrika en Azië.

==
WERKEN==
*Fridericianum
*Neue Galerie
*documenta-Halle
*Friedrichsplatz
*Park Karlsaue, met in 1992 de [[Aue Paviljoens]] (tijdelijke constructie voor Documenta IX)
*Vanaf 2007: Schloß [[Wilhelmshöhe]] in Park Wilhelmshöhe (met confrontatie hedendaagse kunst en de bestaande historische kunstcollectie waaronder de befaamde [[Rembrandt van Rijn|Rembrandtverzameling]])
*Kulturzentrum Schlachthof Werken ==
{| class="wikitable"
|
*[[Accardi Carla]]
*[[Boltanski Christian]]
*[[Buedts Raf]]
*[[Buren Daniël]]
*[[Michaël Buthe]]
*[[Charlier Jaques]]
*[[De Maria Nicola]]
*[[Fabro Luciano]]
|
*[[Förg Gûnther]]
*[[Geys Jey]]
*[[Graham Dan]]
*[[Gruygar Milan]]
*[[Hers François]]
*[[Katase Kazou]]
*[[Kamps Niek]]
*[[Kosuth Joseph]]
*[[Kounellis Jannis]]
*[[Lavier Bertrand]]
|
*[[Lewitt Sol]]
*[[Matthys Danny]]
*[[Merz Garhard]]
*[[Merz Mario]]
*[[Merz Marisa]]
*[[Middendorf Helmut]]
*[[Muñez Juan]]
*[[Nagasawa Hidetoshi]]
*[[Nauman Bruce]]
*[[Nordman Maria]]
|
*[[Oberhuber Oswald]]
*[[Pallanca Heike]]
*[[Panamarenko]]
*[[Paolini Giulio]]
*[[Rabinowitch Royden]]
*[[Radermacher Nobert]]
*[[Raveel Roger]]
*[[Robbe Wolfgang]]
*[[Rutault Claude]]
|
*[[Savadori Remo & spalleti Ettore]]
*[[Scholte Robe]]
*[[Thek Paul]]
*[[Toroni Niele]]
*[[Charles Vandenhove]]
*[[Van Isacker Philip]]
*[[Vilmouth Jean-Luc]]
*[[Walde Martin]]
*[[Weiner Lawrence]]
|
*[[Winters Robin]]
*[[Zorio Gilberto]]
|}

==REACTIES==
VEEL TEGENREACTIES

=== Iniatief ‘86 ===
Iniatief ’86 consisted of three exhibitions, created by different art organizations and art galleries from Ghent. The first exhibition that took place in the Sint-Pietersabbey was set up by three international organizers - Jean-Hubert Martin, Kasper König and Gosse W.Oosterhof – and showed the work of Belgian artists. The goal was to sharpen the connection between the Belgian and the international art. Furthermore, the Museum of Contemporary Art exhibi(contracted; show full)

However there is one theme that is considered achieved by Michael Newman: the fact the art has been transformed into a product of consumption in the museum to a wider scope where participation of citizens is what makes the exhibition works. “The idea has the potential to challenge the enclosure of the museum, the separation of public and private space, and the relation of domestic space to street and workplace, as well as to turn culture from
consumption to participation.”