Difference between revisions 31560612 and 31560676 on nlwiki

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Chambres d'Amis
{{weg|1=|2=2012|3=06|4=18}}
'''Chambres d'Amis''' was een spraakmakende kunsttentoonstelling die plaatsvond in de stad [[Gent]] in [[1986]]. De tentoonstelling werd gecreëerd door [[Jan Hoet]].


== Opzet en concept ==
=== een reactie op de bestaande context ===
(contracted; show full)*[[Geys Jey]]
*[[Graham Dan]]
*[[Gruygar Milan]]
*[[Hers François]]
*[[Katase Kazou]]
*[[Kamps Niek]]
*[[Kosuth Joseph]]

|⏎
*[[Kounellis Jannis]]
*[[Lavier Bertrand]]
|⏎
*[[Lewitt Sol]]
*[[Matthys Danny]]
*[[Merz Garhard]]
*[[Merz Mario]]
*[[Merz Marisa]]
*[[Middendorf Helmut]]
|⏎
*[[Muñez Juan]]
*[[Nagasawa Hidetoshi]]
*[[Nauman Bruce]]
*[[Nordman Maria]]
|⏎
*[[Oberhuber Oswald]]
*[[Pallanca Heike]]
*[[Panamarenko]]
*[[Paolini Giulio]]
|⏎
*[[Rabinowitch Royden]]
*[[Radermacher Nobert]]
*[[Raveel Roger]]
*[[Robbe Wolfgang]]
*[[Rutault Claude]]
|⏎
*[[Savadori Remo & spalleti Ettore]]
*[[Scholte Robe]]
*[[Thek Paul]]
|⏎
*[[Toroni Niele]]
*[[Charles Vandenhove]]
*[[Van Isacker Philip]]
*[[Vilmouth Jean-Luc]]
*[[Walde Martin]]
*[[Weiner Lawrence]]
|⏎
*[[Winters Robin]]
*[[Zorio Gilberto]]
|}

==REACTIES==
VEEL TEGENREACTIES

=== Iniatief ‘86 ===
Iniatief ’86 consisted of three exhibitions, created by different art organizations and art galleries from Ghent. The first exhibition that took place in the Sint-Pietersabbey was set up by three international organizers - Jean-Hubert Martin, Kasper König and Gosse W.Oosterhof – and showed the work of Belgian artists. The goal was to sharpen the connection between the Belgian and the international art. Furthermo(contracted; show full)

However there is one theme that is considered achieved by Michael Newman: the fact the art has been transformed into a product of consumption in the museum to a wider scope where participation of citizens is what makes the exhibition works. “The idea has the potential to challenge the enclosure of the museum, the separation of public and private space, and the relation of domestic space to street and workplace, as well as to turn culture from
consumption to participation.”